Post four, 2.5.20
I really enjoy learning about the roles that early art directors played in the United States, the confusion they faced about what to call themselves (just like we talked about what to call graphic designers in the beginning of the quarter), and what kinds of changes they would make to designs. I particularly liked seeing the changes that Loewy made to the Lucky Strike cigarettes packaging in 1940...changing the background from green to white to make the box seem cleaner, fresher and of a better quality, and putting the circle logo on both sides to increase exposure of the product. Such small and seemingly simple changes really enhanced the design as a whole, which I love learning about as we go into our final papers/presentations as I would love to continue to study packaging and branding. I also enjoy thinking about type on packaging, and I think that opening up the letter spacing on “cigarettes” on the newer packaging was a nice design choice; it looks much sleeker after the change in my opinion. I appreciated William Morris's quote in the chapter, "good design is good business," which couldn't be more fitting to American's mentalities.

Hollis Richard. Graphic Design: a Concise History. Thames & Hudson, 2016.
I also enjoyed learning about Alvin Lustig's style of book covers, with very sophisticated, clean typography and generally neat designs. I do see how his work resembles that of some European Modern art, with similar styles as Picasso or Matisse.

Lustig, Alvin. Exiles, James Joyce, front cover, 1947.
Lustig, Alvin. Selected Poems, Kenneth Patchen, front cover, 1946.
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